Kehinde Wiley is a New York artist known for his fine art portraits paintings of African Americans in heroic poses.
A New York artist, known for his fine portraits of black Americans in heroic poses, painting on canvas and oil, Exhibited at Art Basel Miami Beach 2016 by the Stephen Friedman Gallery
Gallery One, London, United Kingdom.
One of the best art from the show at Art Basel Miami Beach 2016
William Mark Coulthard and Ana Bikic Photos by Ana Bikic
edited by Alexander Felix Coulthard
On Sunday I went to visit the Miami Marine Stadium on Virginia Key, Biscayne Bay’s iconic concrete bleacher has withstood neglect to shine as a blaring example of how Miami seems to just loose out on obvious opportunities.
In all these years of development, civic response and ultimately a lack of immediate restoration response the structure’s exposed iron brackets, beam re-bar and drainage systems have continued to deteriorate causing ultimate restoration cost to soar beyond commercial and finance projections. If only all concerned had used a marine rust inhibitor and coating all the exposed metal with a thick layer of grease. A small work order of less than $50,000 would have saved millions.
The stadium’s general integrity is a testament to Hilario Candela’s expert design skill but the current costs of restoration are yet again proof our city just lets things slide. The State’s engineers have visited our Bay bridges regularly and found them woefully wanting on protective coatings and their upkeep. Whether it’s the inspector’s recommendations being ignored or lapse oversight of crews, Miami ends up looking ammeter every time it sticks its hands out asking for money because we haven’t taken care of our toys.
The most recent issue to the Marine Stadium story is the clumsy manner in which the beach clearance was handled, whilst many are glad to see Australian Pine and Brazilian Pepper be eliminated from the shoreline around the stadium.
The loss of thousands of indigenous shoots that have sprouted is another example of the lack of knowledge on the ground shown by crew leaders and un-creative management to handle local concerns. I was alerted to this by fellow environmentalist and Virginia Key activist Blanca Mesa, who I’ve known for many years through the Urban Environment League of Miami and I have to agree with her that our responsibility to doing things the right way, although often more arduous, harvests better results. Perhaps another consideration is the numerous colorful sponge corals’ plight I found in the tidal wash under the stadium. Nature has this wonderful way of tagging along, marine creatures and pioneer organisms quietly attach themselves to our forgotten remnants and in turn are blamed for symbolizing ruin.
The Bay biosphere is under tremendous stress from human activity this year with the dredging, broken sewer lines and invasive species causing local fauna die offs. Many marvel at the beautiful turquoise waters after the Core has barged by, I lament the color to a choking death of the Bay water’s creatures. This circumvention of standard safe torpidity levels would never have been allowed ten years ago, but thanks to some fancy legal footwork development companies and other corporations have sullied any environmental suits. Thus setting a dismal precedence for other bay area projects around the State. Yes we can replant mangroves between the boat slips and design mooring pillars to attract shell life whilst hosting an International boat show but unless the obvious is put to priority everything else we try to do just comes off as contrived, self-invested and ridiculous.
The environment matters, the immediate restorative issues need practical attention and finally a conservative and viable economic plan for growth of the Stadium and surrounding enterprises should be quickly agreed upon. To encourage further important architectural work and Miami landmarks in the future, we should emphasize the value of this unique marine stadium.
Finally I have to address the issue of free shore line access to the public. Biscayne Bay is our playground, we abide by mooring and channel guides while attempting to maintain the Bay’s enviromental health.The State laws governing accessibility should never be altered like the water torpidity levels were, the waters are our refuge from urban life, they let us explore and discover ourselves each weekend by marveling at nature’s omnipotence. The pursuit of happiness I experienced many years ago was a Sunday afternoon listening to a floating live band under the flying bridge concrete canopy of the Marine Stadium. If Miami does this right, it will encourage others to stay and contribute their creativity to our city.
To reiterate ; prohibiting people from visiting an internationally renown structure, with its curious graffiti-ed decoration is not only ignorant but also shortsighted.
Why the Friends of the Marine Stadium have not succeeded in raising enough financial support is symptomatic of a banking and investment industry not willing to venture to a commoners’ pursuit. If the Boat show garners more attention for the Bay, don’t be surprised if the guards double in numbers to deter the Stadium’s curious admirers and our shoreline visits restricted to mask an unwanted compromise designed with excess instead of access.
William Mark Coulthard and Ana Bikic Photos by Ana Bikic
Le Jeune and Biltmore Way Coral Gables October, 26, 27.
The Gables Hispanic Cultural Festival had it’s 4th annual weekend street festival in front of Coral Gables City Hall .
Saturday morning Mayor Jim Cason welcomed everyone from the stage to get the Festival started then made his way up the Festival tents past a host of vibrant and expressive artists and vendors to the West end entrance, where he signed the Gracias Por La Historia canvases at the New World Mural 1513 Foundation’s tent. Mayor Cason then posed with a Conquistador helmet in front of a new mural made in partnership with Dade Heritage Trust for the Viva 500 Florida theme, by two of the original Freedom Tower, muralists from 1988.
The Gracias Por La Historia canvases filled with signatures by the end of the second day of the Festival, whole families donned helmets and feathers to be photographed together in front of the Map mural being raffled. The signed canvases are destined for the State and Spanish archive collections for this historic milestone in our State’s Viva 500 history and heritage. Families put the dates of their arrival in this area, they ranged from 1866 to less than 6 months ago.
The Freedom Tower Muralists were on hand to sign posters, they were also celebrating 25 years since their New World mural was created for the News Tower/ Freedom Tower in 1988, which commemorates Juan Ponce De Leon’s naming and exploration of Biscayne Bay and Tequesta Miami for two weeks in 1513 and reminding everyone that Tequesta Miami is the first Native American settlement discovered and recorded in the ships logs of Juan Ponce De Leon’s first expedition to the waters North of Cuba.
Major Jim Cason is quick to point out that sixty percent of Coral Gables residents and businesses are Hispanic in culture or influence and having the Gables Hispanic Cultural Festival is an obvious win for all. By the time he had made his way back down the other side of the vendor’s avenue the Stage area was well warmed up and sounding out Latin beats that would vary through the weekend from folk and gypsy to Latin funk and salsa beats.
The small Merrick Park in front of Coral Gables City Hall had shade and favorite foods found from all over Miami Dade County with kids activities and cool places to sit and enjoy the stage performers.
This was a new venue for the Gables Hispanic Cultural Festival, previously at the Ponce De Leon and Biltmore intersect and park area. Their partnership with Waste Management Inc, had positioned clean trash boxes everywhere with soda and water stands never far from any point at the Festival. The Festival ran till late Saturday night attracting the usual Coral Gables Miracle Mile crowd to come across Le Jeune Ave to eat and dance, Sunday evening the Festival ended earlier.
The Gables Hispanic Cultural Foundation really organised a very fun and secure Festival again.
New World 1513 Mural Foundation at the Gables Hispanic Cultural Festival 2013
A Viva Florida 500 Event
The New World 1513 Mural Foundation will be participating at the Gables Hispanic Cultural Festival on 26th and 27th October.
This outdoor weekend Festival, in it’s fourth year, will feature local food, live music and art activities for the family.
The New World Mural 1513 tent at the Gables Hispanic Cultural Festival will be showing a recent tri-panel canvas mural celebrating Viva 500 . Tickets for the raffle of this mural will be sold at the tent,proceeds are going to the Dade Heritage Trust. with the final drawing at the end of the year.
The tent will also have postcards and small posters of local historic art for sale, a student history quiz with prizes and an opportunity for families to don period hats and take photos together in front of the art work. There will be a large canvas scroll mural where visitors can sign their “thanks” which is to be sent to the State’s archive collection for this year’s Viva Florida 500 program.
The New World Mural 1513 Foundation aims to raise the awareness of important events in history from 500 years ago. The State’s Viva Florida 500 program running this year is an important time to remember that Tequesta Miami was the first Native American
settlement discovered by the Spanish explorers.
The Gables Hispanic Cultural Festival will be at Biltmoor Way and Le Jeune, Coral Gables. It is a free family event lasting all day Saturday and Sunday, on the 26th and 27th October. Come and join us to learn that St Augustine was not the founding site of Juan Ponce De Leon 500 years ago in 1513. It was the Biscayne Bay and Tequesta Miami that were named as the first discovered Native American settlement, Viva 500 Miami.
Young graffiti artist Israel Hernandez-Llach dies in police custody. Miami Florida.
Police in Miami Florida were called to the scene of an abandoned property, where 18 year old graffiti artist Israel Hernandez-Llach was trespassing. When Israel did not comply with the cops orders, he was tazered by one of the officers. Hernandez posed no threat to the officers or other individuals and thus should not have warranted the use of this “non-lethal weapon”. Soon after Hernandez died of cardiac arrest that was caused by the 50,000 volts entering his body. Many questions arise from such a scenario but the primary one would be concerning the probable legality of tazers. It seems that because they are not considered lethal weapons; people (or law enforcement) may use stun guns more freely when they,as officers, are not even in any danger. “Lurch attempted to run past the single officer to escape arrest.”
The second problem lies in the gray area where graffiti belongs in the art world. The huge variance in styles and talent create quite the spectrum of different people who call themselves graffiti artists. Taggers and low skill graffiti artists are the usual suspects who we see simply tagging their nick name or some phrase on the wall. It is done to mark their ‘territory’ like a dog’s marking of a lamp post and almost all the time this is the vandalism that we see on our local businesses or homes. These practices alienate the other graffiti artists or street artists that we see, the ones who invest time and effort into developing an idea then laying it out on a wall or interesting location. Often innovative spray painting styles or stenciling is used alongside an image that has a purpose or message to convey. Some graffiti art is used to commemorate a fallen friend or convey an irony in society. Hernandez seemed to primarily belong to the more developed graffiti artist category, his pieces of work resemble large bright murals with moderate detail. These works could be used for advertisements or as a form of decoration for local businesses if concluded properly but since graffiti artists are usually all categorized by society in the same group, this obviously leads to prejudice, further alienating decent graffiti artists like Hernandez who use abandoned buildings as their canvases consequently being labeled as criminal artists . No one forced Hernandez to break the law by defacing private property, it was his own will.
My points are that the expectations that culture creates for people seem to shape their fate more than people think. Maybe if graffiti art had an understood place in society as advertising or just art most of them would not have to resort to being classified as mere taggers. That the use of a known deadly weapon by law enforcement to secure an arrest for a minimal nuisance violation is an excessively lazy and inhumane policy for the edit… “professional law enforcement”, written on all of the patrol cars of Miami Dade County.
Viva Florida 500 Ponce De Leon 500 Anniversary at Vizcaya Museum Miami Florida.
City of Miami Mayor Tomas Regalado, Dr. Joel M. Hoffman Executive Director Vizcaya Museum and Gardens, Eduardo J. Padrón, Ph.D. President, Miami Dade College,Raquel Regalado is a lifelong resident of the Miami-Dade County School Board District 6,Secretary of State Ken Detzner, Maria Cristina Barrios Almanzor, Consul General, Mayor Carlos A. Gimenez, And The Freedom Tower Miami Muralists 1988 William Mark Coulthard And Ana Bikic.
Sometimes being delayed to write an article gives time for the spam art to sediment and the clear solutions created crystallize. Art shows are full of it but some less than others.
Miami’s Art Basel Miami Beach week has an entourage of side shows that proving to be an ideal part of Gallery circuits, giving local national and regional artists a wider reach. The ‘dot’ Art Miami, grouped with the other mid town/design district fairs and shows attracted some great talent in December 2012 , collectively equaling the Art Basel Miami Beach in attendance and artistic value$.
This Charles Birchfield, last one left from the DC Moore Gallery NY. They had had a booth at Art Basel two years ago and sold six Birchfields.
Simon Raab. br 1952, spider grenades and puma made of bullet casings.with the GeorgeZimmerman Gallery.
Raab lives and works in Germany. His work incorporates contemporary debate topics constantly, which has led to his work being banned in China and people being arrested trying to import art work.
This exhibit was very popular. South Florida has a strong hunting
tradition and his life size Puma made out of bullet casings was idolized.
The Douglas Dawson Gallery has been in Chicago since 1982. Member of the Antique Tribal Art Assoc. The use of old metal tables and heavy industrial materials as plinths for the Tribal art makes the Antiques display look like a Modern Art Gallery. Primitiveness is not without design finesse.
The exhibit was fascinating and was displayed with great taste.The Buddha sat surrounded by characters of the globe with the stone mill wheel inviting to view him through. Mr. Dawson not only has a great collection to choose from but he arranges the exhibits as we would want at home, in company and inviting intimate gaze. This Buddha wood carving sits nearly five feet high from the table.
The Jane Sauer Gallery, Sante Fe, New Mexico, The Jane Sauer Miami dot Art exhibit brought a surprising and talented group of contemporary American figurative Sculptors whose pose and content was immediately cognizant of the genre’s tradition and experimentation of material and content irony.
Portyrait painting. The pinnacle of perfect painting. The apex art form for visual artists Bryan Drury, 9 x 11 portrait titled Jake Garn 2012. This gem was hung on a side pillar wall unnoticed by most but obviously not all, it was red dotted,sold. Drury,born 1980, is from Utah,moved to New York, he has a MA in Fine Arts and has been working with the Dean project since his first solo exhibit in 2010. The detail of his hyper realistic style is flawless,
The detail of his hyper realistic style is flawless, making one realize how bad our eyes are when we see the detail on the subjects face down to pore and folecule. Many artists who attempt to flash with Hyper- realism loose the personality in all the details whether because they pay little attention to overall composition or forget that the living eye
is controlled by the brain and therefore has prejudice and favor of study. That’s why it is risky giving a portrait commission to a hyper realist painter, not that their work is unflattering for the subject but the image lacks life.The Drury we found at the Dot Art Miami show of Jake Garn was an exact likeness of our retired and beloved family dentist . The same kind, caring and calm expression smiled back to us. Here we realized was a great portrait painter and so young. We predict that Bryan Drury will become this county’s foremost portrait painter, he will paint Presidents and State portraits. Drury is an exceptional talent and anyone brave enough to commission their likeness must be ready for the microscope.
Ken Orton Ken Orton, Born 1951 , UK. USA/ Esp. influenced by Ed Hooper, like so many British realism painters in the UK art schools as modern expressionism overshadowed even the Art school curricula . The Manchester school in particular,where he taught may have made Orton’s persistence with the new realism difficult with Calderists like Dave Sprakes insisting on being “painting professors” .
Saye Gbatu Surrealism at Art Miami . Vladimir Kush. reproductions, also Saye Gbatu NY and Madeline Von Foerster are the painted version of photo shop still making the audience wow with wonder through thoughtful wit and all with a wicked brush talent that convinces the eye.
Vladimir Kush Madeline Von Foerster Francisco Faria, charcoal on paper. Atopia 2011, 42”x 62”, Art Miami 2012Bolsa de Arte San Paulo Brazil. Faria’s renderings are freshly composed in monchrome but the tonality and arrangement still evoke the hues he has excused, making his work out weigh a photo.
The Gallery has an International Art circuit from London, NY, Dubai and Miami. Faria’s charcoal landscapes were their most interesting exhibit at their Miami show.
Chinese Traditional Painting Academy. This was an enlightening section filled with the Zen of old and new that needs it’s own blog space to do just. Whilst it is now easy to buy 200 year old Chinese paintings on E-Bay for a song, the Academy continues to teach and demonstrate their unique and popular discipline to brushed expression.
This section gave the whole afternoon’s viewing the perspective and tradition that many contemporary artists are pushing for.
The debate for quality. the argument against flippant gestures and easy bucks. That, Art’s value must be linked to it’s finesse and originality. That the name branding venturists of Wall Street whose contracted opinions of aesthetics need to allow the show system and real market debates as a measure of true talent and art value. Here,as you can see, very good art was not difficult to find at the Art Basel Miami Beach side shows across Biscayne Bay in Miami,Florida
Miami Beach Art Basel 2012.
Design by Snarkitecture Projects.
Snarkitecture is a collaborative work Art incorporating architecture, exploring and experimental with the element off surprise working within existing spaces or in collaboration with other artists, architecture and designers.
Snarkitecture was established by Alex Mustonen and Daniel Arsham and is represented by Galerie Emmanuel Perrotin.