Virginia Key Sanctuary At The Miami Marine Stadium 2015

Miami Marine Stadium
Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic Written By

 

William Mark Coulthard and Ana Bikic  Photos by Ana Bikic

edited by Alexander Felix Coulthard

On Sunday I went to visit the Miami Marine Stadium on Virginia Key, Biscayne Bay’s iconic concrete bleacher has withstood neglect to shine as a blaring example of how Miami seems to just loose out on obvious opportunities.

Miami Marine Stadium
Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic
In all these years of development, civic response and ultimately a lack of immediate restoration response the structure’s exposed iron brackets, beam re-bar and drainage systems have continued to deteriorate causing ultimate restoration cost to soar beyond commercial and finance projections. If only all concerned had used a marine rust inhibitor and coating all the exposed metal with a thick layer of grease. A small work order of less than $50,000 would have saved millions.
The stadium’s general integrity is a testament to Hilario Candela’s expert design skill but the current costs of restoration are yet again proof our city just lets things slide. The State’s engineers have visited our Bay bridges regularly and found them woefully wanting on protective coatings and their upkeep. Whether it’s the inspector’s recommendations being ignored or lapse oversight of crews, Miami ends up looking  ammeter every time it sticks its hands out asking for money because we haven’t taken care of our toys.
Miami Marine Stadium
Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic
Miami Marine Stadium
Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic
Miami Marine Stadium
Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic
Miami Marine Stadium
Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic
Miami Marine Stadium
Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic

   The most recent issue to the Marine Stadium story is the clumsy manner in which the beach clearance was handled, whilst many are glad to see Australian Pine and Brazilian Pepper be eliminated from the shoreline around the stadium.

Virginia Key Sanctuary
Virginia Key Sanctuary
City of Miami blames contractor in Marine Stadium mangrove destruction.

The loss of thousands of indigenous  shoots that have sprouted is another example of the lack of knowledge on the ground shown by crew leaders and un-creative management to handle local concerns. I was alerted to this by fellow environmentalist and Virginia Key activist Blanca Mesa, who I’ve known for many years through the Urban Environment League of Miami and I have to agree with her that our responsibility to doing things the right way, although often more arduous, harvests better results. Perhaps another consideration is the numerous colorful sponge corals’ plight I found in the tidal wash under the stadium. Nature has this wonderful way of tagging along, marine creatures and pioneer organisms quietly attach themselves to our forgotten remnants and in turn are blamed for symbolizing ruin.

South Florida Coral reef's
Coral reef
Virginia Key Sanctuary by the Miami Marine Stadium
Miami Art Reviews 2015
photo by Ana Bikic

The Bay biosphere is under tremendous stress from human activity this year with the dredging, broken sewer lines and invasive species causing local fauna die offs. Many marvel at the beautiful turquoise waters after the Core has barged by, I lament the color to a choking death of the Bay water’s creatures. This circumvention of standard safe torpidity levels would never have been allowed ten years ago, but thanks to some fancy legal footwork development companies and other corporations have sullied any environmental suits. Thus setting a dismal precedence for other bay area projects around the State. Yes we can replant mangroves between the boat slips and design mooring pillars to attract shell life whilst hosting an International boat show but unless the obvious is put to priority everything else we try to do just comes off as contrived, self-invested and ridiculous.

South Florida Coral reef's
South Florida Coral reef’s
Below the Miami Marine Stadium photo by Ana Bikic
http://www.artreviewmiami.com

The environment matters, the immediate restorative issues need practical attention and finally a conservative and viable economic plan for growth of the Stadium and surrounding enterprises should be quickly agreed upon. To encourage further important architectural work and Miami landmarks in the future, we should emphasize the value of this unique marine stadium.

    Finally I have to address the issue of free shore line access to the public. Biscayne Bay is our playground, we abide by mooring and channel guides while attempting to maintain the Bay’s enviromental health.The State laws governing accessibility should never be altered like the water torpidity levels were, the waters are our refuge from urban life, they let us explore and discover ourselves each weekend by marveling at nature’s omnipotence. The pursuit of happiness I experienced many years ago  was a Sunday afternoon listening to a floating live band under the flying bridge concrete canopy of the Marine Stadium. If Miami does this right, it will encourage others to stay and contribute their creativity to our city. 

Virginia Key Sanctuary coral reef's
South Florida Coral reef’s
Below the Miami Marine Stadium photo by Ana Bikic

To reiterate ; prohibiting people from visiting an internationally renown structure, with its curious graffiti-ed decoration is not only ignorant but also shortsighted.
Why the Friends of the Marine Stadium have not succeeded in raising enough financial support is symptomatic of a banking and investment industry not willing to venture to a commoners’ pursuit. If the Boat show garners more attention for the Bay, don’t be surprised if the guards double in numbers to deter the 
Stadium’s curious admirers and our shoreline visits restricted to mask an unwanted compromise designed with excess instead of access.

Written By

William Mark Coulthard and Ana Bikic  Photos by Ana Bikic

Edited by Alexander Felix Coulthard

Art Basel 2014 Miami Beach

Art Basel 2014 Miami Beach.
The enthusiasm for the mundane, whimsical and comic novelty market shares no boundaries with local press writers in Miami. It is amazing that an ensemble of the world’s leading art market manages to completely allude contemporary global dynamics. One would have thought the world’s problems, humanity’s guilt and the endless news of suffering would be able to register a few notes of sympathy among the aesthetic elite but yet again Art Basel 2014 defies belief…

Convention Center Miami
Art Basel Miami Beach 2010

in reality. This years Miami market has been well fielded by new residents from Latin America, Russia and Asia, the police and Federal authorities are booking hundreds of prime real estate units confiscated for financial washing. How has Basel survived Miami so long ? because it’s avant garde art and trend in style.

Immigration series, global crisis, Painting by Ana Bikic

Do not forget we are all immigrants in this life! Art by Ana Bikic  acrylic on canvas.

From the Immigration series, global crisis, Painting by Ana Bikic

immigration series fine painting by Ana Bikic
Do not forget we are all immigrants in this life!
Art By Ana Bikic
Immigration series, Fine Art

Design Miami Art Basel 2012 to 2015

Design Miami, Miami Basel 2012

Snarkitecture is  Art incorporating architecture, Working within, architecture and designers.

Snarkitecture established by Alex Mustonen &  Daniel Arsham.

Photo Credit : Ana Bikic

Snarkitecture, Design Miami, Miami Basel 2012, 2013, Miami Art Reviews Inc.  Ph: 786-239-0118           miamiartreviews@gmail.com

Graffiti Artist Israel Hernandez-Llach Dies After Being Tasered by Miami Beach Police

graffiti artist Israel Hernandez-Llach
Teenage Graffiti Artist Israel Hernandez-Llach Dies After Being Tasered by Police

Young graffiti artist Israel Hernandez-Llach dies in police custody. Miami Florida.
Police in Miami Florida were called to the scene of an abandoned property, where 18 year old graffiti artist Israel Hernandez-Llach was trespassing. When Israel did not comply with the cops orders, he was tazered by one of the officers. Hernandez posed no threat to the officers or other individuals and thus should not have warranted the use of this “non-lethal weapon”. Soon after Hernandez died of cardiac arrest that was caused by the 50,000 volts entering his body. Many questions arise from such a scenario but the primary one would be concerning the probable legality of tazers. It seems that because they are not considered lethal weapons; people (or law enforcement) may use stun guns more freely when they,as officers, are not even in any danger. “Lurch attempted to run past the single officer to escape arrest.”
The second problem lies in the gray area where graffiti belongs in the art world. The huge variance in styles and talent create quite the spectrum of different people who call themselves graffiti artists. Taggers and low skill graffiti artists are the usual suspects who we see simply tagging their nick name or some phrase on the wall. It is done to mark their ‘territory’ like a dog’s marking of a lamp post and almost all the time this is the vandalism that we see on our local businesses or homes. These practices alienate the other graffiti artists or street artists that we see, the ones who invest time and effort into developing an idea then laying it out on a wall or interesting location. Often innovative spray painting styles or stenciling is used alongside an image that has a purpose or message to convey. Some graffiti art is used to commemorate a fallen friend or convey an irony in society. Hernandez seemed to primarily belong to the more developed graffiti artist category, his pieces of work resemble large bright murals with moderate detail. These works could be used for advertisements or as a form of decoration for local businesses if concluded properly but since graffiti artists are usually all categorized by society in the same group, this obviously leads to prejudice, further alienating decent graffiti artists like Hernandez who use abandoned buildings as their canvases consequently being labeled as criminal artists . No one forced Hernandez to break the law by defacing private property, it was his own will.
My points are that the expectations that culture creates for people seem to shape their fate more than people think. Maybe if graffiti art had an understood place in society as advertising or just art most of them would not have to resort to being classified as mere taggers. That the use of a known deadly weapon by law enforcement to secure an arrest for a minimal nuisance violation is an excessively lazy and inhumane policy for the edit… “professional law enforcement”, written on all of the patrol cars of Miami Dade County.

A.F.C. Miami Art Reviews.Inc.
Alex Coulthard.
http://www.artreviewmiami.com Contact at : miamiartreviews@gmail.com
http://www.elnuevoherald.com/2013/08/14/1543977/entierro-de-joven-colombiano-israel.html
http://hinterlandgazette.com/2013/08/teenage-graffiti-artist-israel-hernandez-llach-dies-after-being-tasered-by-police.html

Stonehenge by Brian Curtis

 By Brian Curtis UM Art Professor.
Stonehenge 2013 By Brian Curtis UM Art Professor.

Brian Curtis Stonehenge Series I&II
UM Gallery Wynwood. Miami Florida July – Sept. 2013
Miami Art Reviews.

Brian Curtis is the head of under graduate studies in Painting and drawing at University of Miami, Coral Gables. The Stonehenge Series is a departure from his life and figure paintings.
The ancient (6500yrs) megalithic stone circle of England set against a tropical sunset may seem like a remarketing tool of artistic juxtaposition but a few days after meeting the artist ,looking west from Miami Beach’s Green Diamond towards Miami’s downtown skyline. “how much alike the set sun on these new Miami megalithic towers are to Brain’s recent series”. The use of the ancient symbol “Stonehenge” has proved to be very universal this side of the Atlantic. Miami has its own mini circle, dating from a similar time in man’s history, the symbol has always been associated with the psyche,spirit and meeting place.
Brian Curtis’s Stonehenges are keys to personal spaces,each sky appealing to each destiny, the brush work delivers only as much as is required with light’s fluidity and life’s color against stone cold realism. The paintings are accompanied with mythical tales, ancient stories and ancestral traditions of ritual. It would be easy to imagine any of these paintings being a subliminal morning flash or returning welcome in many people’s homes.
Brian has succeeded in fusing two specific joys into one language, he is after all a professor of Fine Art and his use of universal symbols to evoke emotion and mind is in complete tradition of the visual language of symbols that defines Fine Art from art in general.

http://www.brian-curtis.com/um_webpage/index.html
University of Miami Wynwood Art Gallery
Wynwood Building suite # 4 – 2750 NW 3rd Ave, Miami Fl. 33127

WWW.ARTREVIEWMIAMI.COM
bY WILLIAM MARK COULTHARD AND ANA BIKIC
MIAMIARTREVIEWS@gmail.com

Art Basel Satellite 2012 Red Dot Art Fair

Art Reviews Miami International

Charles Birchfield DC Moore Art Gallery N.Y.  Miami Art Reviews
Charles Birchfield DC Moore Art Gallery N.Y. Miami Art Reviews

Sometimes being delayed to write an article gives time for the spam art to sediment and the clear solutions created crystallize. Art shows are full of it but some less than others.
Miami’s Art Basel Miami Beach week has an entourage of side shows that proving to be an ideal part of Gallery circuits, giving local national and regional artists a wider reach.
The ‘dot’ Art Miami, grouped with the other mid town/design district fairs and shows attracted some great talent in December 2012 , collectively equaling the Art Basel Miami Beach in attendance and artistic value$. 

This Charles Birchfield, last one left from the DC Moore Gallery NY. They had had a booth at Art Basel two years ago and sold six Birchfields.

Zimmerman Gallery
Miami Art Reviews

Simon Raab. br 1952,  spider grenades and puma made of bullet casings.with the GeorgeZimmerman Gallery.

Grenade Spider Art
Grenade Spider Art, by Simon Raab, Miami Art Basel Red Dot, Art Fair 2012.
Miami Art reviews

Raab lives and works in Germany. His work incorporates contemporary debate topics constantly, which has led to his work being banned in China and people being arrested trying to import art work. 

Zimmerman Gallery
Miami Art reviews 2012

This exhibit was very popular.  South Florida has a strong hunting
tradition and his life size Puma made out of bullet casings was idolized.

The Douglas Dawson Gallery has been in Chicago since 1982. Member of the Antique Tribal Art Assoc. The use of old metal tables and heavy industrial materials as plinths for the Tribal art makes the Antiques display look like a Modern Art Gallery. Primitiveness is not without design finesse.

photo by Ana Bikic
Miami Art reviews
photo by Wm Coulthard
Miami Art Reviews

 The exhibit was fascinating and was displayed with great taste.The Buddha sat surrounded by characters of the globe with the stone mill wheel inviting to view him  through. Mr. Dawson not only has a great collection to choose from but he arranges the exhibits as we would want at home, in company and inviting intimate gaze. This Buddha wood carving sits nearly five feet high from the table. 

The Jane Sauer Gallery,  Sante Fe, New Mexico, The Jane Sauer Miami dot Art exhibit brought a surprising and talented group of contemporary American figurative Sculptors whose pose and content was immediately cognizant of the genre’s tradition and experimentation of material and content irony.

Bryan Drury 2011 portrait of Jake Garn
Miami Art Reviews. ” One day Bryan Drury will be asked to paint an official portrait of a US President”.

Bryan Drury

Portyrait painting. The pinnacle of perfect painting. The apex art form for visual artists Bryan Drury, 9 x 11 portrait titled Jake Garn 2012. This gem was hung on a side pillar wall unnoticed by most but obviously not all, it was red dotted,sold. Drury,born 1980, is from Utah,moved to New York, he has a MA in Fine Arts and has been working with the Dean project since his first solo exhibit in 2010. The detail of his hyper realistic style is flawless, 

The detail of his hyper realistic style is flawless, making one realize how bad our eyes are when we see the detail on the subjects face down to pore and folecule. Many artists who attempt to flash with Hyper- realism loose the personality in all the details whether  because they pay little attention to overall composition or forget that the living eye 

 is controlled by the brain and therefore has prejudice and favor of study. That’s why it is risky giving a portrait commission to a hyper realist painter, not that their work is unflattering for the subject but the image lacks life.The Drury we found at the Dot Art Miami show of Jake Garn was an exact likeness of our retired and beloved family dentist . The same kind, caring and calm expression smiled back to us. Here we realized was a great portrait painter and so young. We predict that Bryan Drury will become this county’s foremost portrait painter, he will paint Presidents and State portraits. Drury is an exceptional talent and anyone brave enough to commission their likeness must be ready for the microscope.

photo by Wm Coulthard
Saye Gbuta Miami Art reviews 2012

 

Ken Orton
Ken Orton, Born 1951 , UK. USA/ Esp. influenced by Ed Hooper, like so many British realism painters in the UK art schools as modern expressionism overshadowed even the Art school curricula .  The Manchester school in particular,where he taught may have made Orton’s persistence with the new realism difficult with Calderists like Dave Sprakes insisting on being “painting professors” .

 

Miami Art Review
surrealism shows strong at Miami’s Art Basel shows 2012


Saye Gbatu
Surrealism at Art Miami . Vladimir Kush. reproductions, also Saye Gbatu NY and Madeline Von Foerster are the painted version of photo shop still making the audience wow with
wonder through thoughtful wit and all with a wicked brush talent that convinces the eye.

Miami art reviews 2012 Francisco Faria Miami Art Reviews
Miami art reviews 2012 Francisco Faria
Miami Art Reviews

Vladimir Kush        Madeline Von Foerster
Francisco Faria,  charcoal on paper. Atopia 2011, 42”x 62”, Art Miami 2012Bolsa de Arte San Paulo Brazil. Faria’s renderings are freshly composed in monchrome but the tonality and arrangement still evoke the hues he has excused, making his work out weigh a photo. 

The Gallery has an International Art circuit from London, NY, Dubai and Miami. Faria’s charcoal landscapes were their most interesting exhibit at their Miami show.

China Traditional Painting Academy Miami 2012
Miami Art Reviews

 

Chinese Traditional Painting Academy. This was an enlightening section filled with the Zen of old and new that needs it’s own blog space to do just. Whilst it is now easy to buy 200 year old Chinese paintings on E-Bay for a song, the Academy continues to teach and demonstrate their unique and popular discipline to brushed expression.

This section gave the whole afternoon’s viewing the perspective and tradition that many contemporary artists are pushing for.

The debate for quality. the argument against flippant gestures and easy bucks. That, Art’s value must be linked to it’s finesse and originality. That the name branding venturists of Wall Street whose contracted opinions of aesthetics need to allow the show system and real market debates as a measure of true talent and art value. Here,as you can see, very good art was not difficult to find at the Art Basel Miami Beach  side shows across Biscayne Bay in Miami,Florida

  edited Miami Art Reviews 12/12 to 01/13

Design Miami. Miami Basel 2012

Design Miami. Miami Basel 2012

Design Miami.

Miami Beach Art Basel 2012.
Design by  Snarkitecture Projects.

Snarkitecture is a collaborative work Art incorporating architecture, exploring and experimental with the element off surprise working within existing spaces or in collaboration with other artists, architecture and designers.

Snarkitecture was established by Alex Mustonen and Daniel Arsham and is represented by Galerie Emmanuel Perrotin.

http://www.snarkitecture.com/ 
MIAMI Art Reviews 2012

miamiartreviews@gmail.com

Elizabeth Turk Sculpture Art Basel Miami Beach 2012

                                                Elizabeth Turk  At Art Basel Miami Beach 2012

Elizabeth Turk
Elizabeth Turk Marbol Carving Sculpture at Art Basel Miami Beach 2012.
photo by Ana Bikc for Art Reviews Miami 2012/13
This year’s Art Basel Miami Beach, contemporary best was sculptor Elizabeth Turk, marble carving to an exquisite belief in the fluid form. 
Her work is a shining example of where the direction lies towards a classic Fine Art future, the humility needed to execute a
perfect patience with such a delicate pursuit of the making, leaves one only to marvel in response.
  Elizabeth Turk’s latest marble sculptures would be a touch stone cultural bridge to middle east liberal progressions,
 part of a new creative generation of women moving the eco- symbols of humanity towards the transcontinental spring.
Her work is Nationally recognized by the American Institute of Architects and the MacArthur Foundation, two important credits
to her career. Turk’s current series of Ribbon marble forms are a joy to behold. They immediately evoke a collective response,
 as total strangers share their wonderment together. When Art achieves this, it’s worth every dime to own it because we will all
pay more than a dime to see it again and again.
By Ana Bikic And William Mark Coulthard
Miamiartreviews@gmail.com